BUREAU FOR OPEN CULTURE

A theatrical moment about modern, postmodern, and super-hybrid culture and our relationships with the passage of time.

Ausstellung Fabian Reimann, Amateur und Überflieger 16.02.-31.03.2013

From the autumn of 2008 until the summer of 2010, artist Sonja Nilsson invited people to order surprise eggs from her.

State of Sabotage's Stamp Edition

500 copies only

pencil and watercolour on paper
25,3 mal 21,5cm (images printed here at 86% of original size)

Katalogbuch zur Ausstellung „A MAD JUNE“ mit Arbeiten von Reinhold Engberding im Saarländischen Künstlerhaus Saarbrücken, August/September 2009.
Textbeiträge von Nora Sdun, Martin Henatsch und Holger B. Nidden-Grien; übersetzt ins Englische von Lucinda Rennison.

Using a restrained palette of pencil and colored pencil on paper, Christiana Soulou draws figures that embody a ceaseless formation and fragmentation of the self.

Book about the paintings of the Dutch painter Kees Goudzwaard (* 1958 Utrecht, NL).

"Just as painting is a way of speaking about reality which can, if so desired, find its way towards elucidation and/or poeticisation by the most varied and divergent pathways, there are very different ways of speaking about painting. (Art history as a whole largely coincides with the history of this 'speaking', of the various 'readings' that are used by the 'speakers'.)" (DIETER ROELSTRAETE)

“Laves” was shot in a public park in London. The video shows a meadow surrounded by trees as its theatrical protagonist.

Die dritte Version von Herbier beinhaltet Arbeiten von Justine Viard, Elsa Rey, Romain Lepage, Simon Grépinet, Marie Eude und Laure Lizé.

The artist‘s book “Die Chronologie der Zelle“ shows and analyzes the cyclic working process of sculptor Matthias Glas.

Wenn man stolpert und im Begriff ist hinzufallen und es dabei schafft den Aufschlag zu vergessen- und diesen Vorgang für sich zu erlernen vermag-, dann kann man fliegen.

A digest of magazines around the world edited by Maurizio Cattelan and Paola Manfrin, Permanent Food is a cannibal magazine.

One of the top-selling female artists in the world, Marlene Dumas is a young painter whose works deal with the cycle of life as well as issues of gender, sexuality, pleasure, and pain. This is an intimate look at her life—and the intellectual, ethical, and moral questions that stimulate and absorb her—as well as a comprehensive catalog of her drawings and paintings. Essays by prominent South African artists and her curator shed light on Dumas as a person as well as her creative work and its perception in the art world.

This booklet is part of a growing collection of artists publications issued by the Dutch Art Institute (DAI), produced in collaboration with the Werkplaats Typografie and edited by artist / curator Delphine Bedel.

Künstlerbuch mit 32 schwarz-weißen und 24 mehrfarbigen Original-Linolschnitten von Volker Pfüller.

Kopf, Steher, Feld, Weg, Welt – die Begriffe, die Gunter Damisch beim Formulieren seiner Bildtitel verwendet, verweisen auch auf das Formenrepertoire, aus dem er seine Bilder zusammensetzt.