What happens to us and to our identity when we are forced into exile by hostility of any form, living conditions or armed conflict? Which psychosocial outcomes and cognitive dissonances are triggered by migration? What happens to us and to our identity when we are forced into exile by hostility of any form, living conditions or armed conflict? Which psychosocial outcomes and cognitive dissonances are triggered by migration?

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

„Gagarin – The Artists in their own words“ is an artist’s magazine, entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world.

o.A.

Wie aus Logos, Kurven, aus Zeichen Visiotypen werden, Versatzstücke unserer Kommunikation, am Beispiel der ›Super Helix‹.

Lesen heißt skandiert werden von Unterbrechungen,
Stockungen, Abweichungen. [...]

"Being at once a school and at the same time not a school, a workspace, the Werplaats Typografie tends to want to comment on its own distinctive form of academic pursuit ( by way of, amongst other outlets, these School Journals)." (Maxine Kopsa)

Glenridge Quarry Naturalization Site located on the Niagara Escarpment is a landscape still resembles a raw, industrialized version of nature, eerie and ominous in its windswept hills. The ground is punctuated by prickly vegetation providing beautiful flowers in the summer months, and rocks, from pebbles and gravel to larger boulders.

Gesammelte Gedichte von Elfriede Jelinek, erschienen im Westphalie Verlag 2014 in einer zweisprachigen (deutsch/französisch) Auflage von 400 Stück.

In dieser Sprache untersucht, wie sich Bedeutung in der deutschen Sprache durch die Shoah verschoben hat. Die Kürzestgedichte von einem bis zehn Wörtern, die alle wenigstens auf zweierlei, häufig aber noch mehr Arten gelesen werden können, sind mehr Objets trouvés der Sprache als Dichtung im herkömmlichen Sinn. Dieses Buch erschien im Rahmen der von dem Dichter Benjamin A. Kaufmann kuratierten Ausstellung "Der Sand aus den Uhren".

"Katrin Köhler - Wie alles andere als seine zerstreuten Zugehörigkeiten" enthält 30 Texte von Katrin Köhler.

Im Frühjahr 2011 erlebt Syrien einen Aufstand der Bevölkerung gegen seine Regierung, die mit Gewalt zurückschlägt. Etwa zur gleichen Zeit beginnt der 30-jährige Aboud Saeed mit seiner ganz persönlichen Revolution – auf Facebook, wo er tägliche Statusmeldungen zur Mitschrift seines Lebens werden lässt. In Lebensgroßer Newsticker, seinem zweiten Buch, erzählt er von seiner Kindheit im Norden Syriens, der Schulzeit unter dem Baath-Regime, vom Gastarbeiterdasein im Libanon, vom Anfang des Krieges, der Flucht in die Türkei und seiner Ankunft in Deutschland.

Ein reich illustriertes Buch über Bücher, die aus der Reihe fallen und sich dem internationalen System des Warenaustauschs entziehen.Welche Rolle wird das Selbstverlegen im 21. Jahrhundert spielen? Kann der Druck auf Papier eine Alternative zum elektronischen Austausch darstellen? Wie lässt sich zwischen Subversionsgestus und Neuem Biedermeier unterscheiden?
10 letzte Exemplare

I See/ You Mean is an experimental novel by Lucy Lippard, a prominent artist and feminist activist.

Olivier Assayas is best known as a filmmaker, yet cinema makes only a late appearance in this volume. A Post-May Adolescence is an account of a personal formation, an initiation into an individual vision of the world. It is, equally, a record of youthful struggle. Assayas’ reflective memoir takes the reader from the massive cultural upheaval of France in May 1968 to the mid-1990s, when the artist made his first autobiographical film about his teenage years,