Wenn wir angesichts des aktuellen gesellschaftlichen Wandels über radikale Veränderungen des Zusammenlebens nachdenken, müssen dabei auch das Wohnen und die zugehörigen Prozesse und Ressourcen miteingeschlossen werden.

Susan Philipsz zählt zu den international renommiertesten Künstler*innen der Gegenwart.In ihren Arbeiten lotet sie die Grenzen zwischen Skulptur und Klang, zwischen Materialität und Immaterialität aus. Ihre Werke reagieren oft auf die Orte, an denen sie ausstellt, schaffen eine Verbindung zu vergangenen Ereignissen und erzeugen Resonanzräume für Erinnerungen und Emotionen.

Can we decolonize art book fairs? Can we decentralize knowledge and deconstruct privilege in our contexts?
Decolonizing Art Book Fairs aims to rethink through the existing and speculative frameworks of organizational practice in the art book fairs.

Midnight Deer Abstractions is a collaboration between artist Geoff Farnsworth and poet Erin Knight to produce limitless in-betweens and vast spaces where slight variations contain all the precisions of colour and diction, rendered immediately nebulous. Creating spectral selves, they invite us to look “between foreground and background” for the traces and sketches of identities, whose edits are vague, always disappearing to be retraced, resketched.

Here live the near-blind. In their eyes the city dwells like aureoles on suckling lips. Here they apprehend the city with knowledge viscous and immediate. And here they also live uneasily, for tranquillity is found only in pictures they are disinclined to make.
In essays, letters and aphorisms, this book makes near-blindness tangible as one condition of living in. protracted war.
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Between 2003 and 2005, artists Lina Kim and Michael Wesely scoured public and private archives in an ambitious effort to survey, catalog and restore photographs of the construction of Brasilia, many of which were inaccessible to the public and at risk of disappearing. The two carried out a monumental job of researching and

Cindy Sherman is among the most influential artists of her generation. Using herself as a model in a range of costumes in invented situations, she plays with images created and popularized by mass media, popular culture, and fine art. Television, advertising, magazines, fashion, and Old Master paintings--they are all fair game.

Fernando Botero's distinctive exaggerated forms perfectly complement the exaggerated atmosphere of the circus. The esteemed artist uses bright colors and unexpected movement to artfully manifest the poetry of the circus, inviting the viewer to participate in a circus with Botero as the artful ringmaster.

Ein Jahr lang bewegt sich der deutsche Forschungseisbrecher „Polarstern“, angefroren an einer Eisscholle, im arktischen Polarmeer. Seine Aufgabe: den Klimawandel und dessen Einwirkungen auf die Nordpolarregion zu erforschen. Das Expeditionsprojekt „MOSAiC“ – die Drift des Schiffes mit dem Meereis von Herbst 2019 bis Herbst 2020 – ist eines der größten und aufwändigsten Forschungsvorhaben der letzten Jahre.

OPTIONS offers a non-linear reading of the events that led to the annexation of South Tyrol to Italy at the end of WWI. When the area between the present-day Austrian and Trentino boundaries officially became an Italian province in 1919, a choice was given to the local communities: they could either stay, naturalise as Italians and side with the Fascists, or they could emigrate to the Third Reich and leave behind their culture and possessions.

UKT Issue #21 returns for another issue to venture into the realms of the Unknown. Featuring drawings by 29 contemporary artists from 18 countries around the world, we explore the uncertainties that inundate our everyday lives, the mysteries that are lurking in the shadows, and the vast potential of life beyond our own universe.

This volume surveys the acclaimed work of Dara Friedman, exploring her innovative approach to 16mm film and video art. The book features stills from numerous works spanning more than 20 years of creative production, as well as essays on Friedman’s oeuvre and an extended interview with the artist. Friedman is known for works

The eleventh issue of the series Pleased to Meet You is devoted to Derek Jarman (1942-1994), a major figure in British cinema during the 1970s and 80s as well as a highly versatile artist, painter, draughtsman, costume and set designer, author and gardener. Before his premature death in 1994 of an AIDS-related illness,

Der hochwertige Bildband zeigt erstmals das gesamte druckgrafische Werk Philip Gustons, eines der bedeutendsten amerikanischen Künstler des 20. Jahrhunderts. Als er sich zu Beginn der Sechzigerjahre dem Medium der Lithografie zuwandte,

Fashion is often seen as an industry of eccentric personalities and unique, exceptional talents but it's the collaborators, rather than the individuals, who underpin the industry and inspire this book. This stylish volume, compiled by Lou Stoppard, editor-at-large of London's SHOWstudio, delves into the behind-the-scenes worlds of the fashion industry s most intriguing partnerships to explore what, exactly,

Lee Bul ist eine der bedeutendsten zeitgenössischen Künstlerinnen. Mit ihren die Genregrenzen überschreitenden Arbeiten erlangte sie in den 1990er-Jahren internationale Bekanntheit. Ob mit radikalen Performances und monströsen Skulpturen zu Beginn ihrer Karriere

A celebration of the visual artistry behind the evolution of sound recording with specially commissioned photography of iconic, rarely-seen artefacts from the collections of the EMI Archive Trust

Thomas Ruff is one of the most important contemporary German photographers living today. Studying under Bernd and Hilla Becher, Ruff experimented with large-format printing. This comprehensive book focuses on his photographic series from the past twenty years.

Anna Jermolaewa ist Preisträgerin des Otto-Breicha-Preises für Fotokunst 2021. Die Konzeptkünstlerin bezeichnet sich selbst als »Realistin« und ihre Auseinandersetzung mit der Wirklichkeit ist ebenso kritisch wie abgründig humorvoll.

Through a series of studio visits that culminated in an artist talk at Residency Unlimited, Dalton and I examined racism and the language systems that perpetuate it; the black body; silenced black people; the African diaspora and its religions; performance and rituals; nature and healing; black protagonism.

Idol Hands presents a wealth of source and visual references, alongside original drawings from the artist’s unique and expanded narrative of imagery stemming from alternative means of communication such as braille, morse code and sign language.

Books not only describe their own contents but also the eras in which they were created.
Conceived as a color inventory, this publication gathers a selection of titles that I have dealt with, exhibited, and produced since the early 2000s. Many of these books

»Die Dinge, die durch den Dunst von gestern so gewaltig erschienen – Eigentum, Klima, Erziehung, persönliche Schönheit und anderes mehr, haben ihre Verhältnisse merkwürdig verändert. Alles, was wir für fest hielten, schwankt u. klappert …«
“The facts which loomed so large in the fogs of yesterday,—property, climate, breeding, personal beauty, and the like, have strangely changed their proportions. All that we reckoned settled shakes and rattles …” Ralph Waldo Emerson (zitiert von / quoted by Robert Musil)

Die Untersuchung beginnt mit ethnografischen Erkundungen einer Kunsthochschule. Unter diesem Blickwinkel sind die 96 % derer, die freie Kunst studieren, ohne je von ihrem Metier leben zu können, genauso interessant wie die Stars des Kunstbetriebs.

Im Frühjahr 2019 bereiste ich zum ersten Mal Japan. Ich blieb für zwei Monate. Meine Reisevorbereitungen starteten gewissenhaft: kurz vorher besuchte ich auf Empfehlung einen zweiwöchigen Japanisch-Intensivkurs für Anfänger*innen am Japonikum der Uni Bochum. Trotz ernsthafter Bemühungen gingen meine Sprachlernversuche komplett daneben. Mir fehlte

To Perform a Ferry is a book that holds eight performance scripts and other material to be spoken. Inspired by the figure of the renegade who leaves land behind and crosses the sea or leaves civilization to take refuge in the vast desert, the eight scripts embody the state of migrating, through space but also through languages, bodies, and writing genres. Written in English by Mohamed Abdelkarim.

They Will Say I Killed Them is the result of a one-year research marked by visits to public film archives, private foundations, and meetings with important testimonies of Italian cinema. The aim was to conduct an in-depth investigation on those Italian movies—from the 1950s to the 80s—that due to censorship have been left on the shelf in the form of a screenplay, or filed away

Bruno Flierl gehört zu den bedeutenden Architekturkritikern unserer Zeit. Diese Textsammlung umfasst eine Auslese seiner wissenschaftlichen Arbeit als Historiker, Theoretiker und Kritiker der Architektur und des Städtebaus seit den Sechzigerjahren des 20. Jahrhunderts.

Die Wiener Gruppe – Friedrich Achleitner, H. C. Artmann, Konrad Bayer, Gerhard Rühm, Oswald Wiener – entstand zwischen 1952 und 1955 aus einem Kreis avantgardistischer Künstler, die dem Wiener „Art-Club“ verbunden waren. Bei aller Verschiedenartigkeit

An immaterial museum, a social sculpture, a laboratory for the museum of the future: this book is an exhibition filled with moments of inspiration on Vienna's legendary museum in progress. With its projects in public and media spaces, the museum has been operating beyond traditional forms of presentation for contemporary art since 1990. museum in progress uses open spaces as temporary spheres of activity for art interventions, on billboards, on building facades, in concert halls, on television and even on board aeroplanes. In much the same way as if it were a laboratory, museum in progress is constantly undertaking cutting-edge experiments with art projects that take effect as a sociopolitical action. The artistic intervention by Adrian Paci makes every copy of the book unique.

Handmade is an ecstatic archive of synthetic handmade Artist’s books. Sequenced in no particular order, the project searches for meaning in the future tense through time, text, and touch. Using a combination of images and descriptions, the book chronicles not only a series of material proposals but also a visual discussion between the authors.
Constructed entirely from text to AI generated images, the book works with collage at the granular level, speculating on what the form of a book might become when drawn from an impossibly broad archive of digital images.

"Type I enacts a hyperreality, in which the effects of climate change are damaging our world, and technological advances are held up as the key innovative tools for alleviating ecological collapse. Merging poetics, visuals, fiction and essaying to create a vivid, multi-layered novel, Max Parnell's debut offers up not only an

Yves Klein (1928–62) first traveled to Japan as a young man in 1952, motivated primarily by his interest in judo. During his 15 months abroad, Klein had numerous important creative and philosophical revelations that culminated in the launch of his artistic career upon his return to Paris.

"If it is somehow identifiable as part of a referential system, we immediately understand the meaning of a line on a piece of paper. A horizontal line will be easily read as a minus, an em dash or a way on a map, no matter how sloppily it is written or drawn."

In art around 1990, an entire series of work forms indicates the existence of a broad spectrum of strategic shifts into other professional roles that are taken up on a fictional level by artists.

Wir berichten vom Anfangen. Von Ritualen und Methoden des Anfangens, von zufälligen Fängen. Von Beginnlosigkeit. Vom Stellenwert des Anfangs und von möglichen Definitionen.

Der Band versammelt Positionen, die aus

This book contains a number of true and fictitious stories by writers, curators and artists about the city of Vilnius, that have been generated by the X Baltic Triennial of International Art Urban Stories staged at the Contemporary Art Centre (CAC) and diverse places and spaces throughout Vilnius in the autumn of 2009.

Catalogue raisonné und Künstlerbuch: TXT IMG versammelt 41 Projekte von Katharina Gaenssler, von ihrer ersten Fotoinstallation aus dem Jahre 2003 bis zu ihrem jüngsten Projekt „Bauhaus Staircase“ im Treppenhaus des New Yorker Museum of Modern Art. Ähnlich wie ihre Fotoinstallationen, die sich aus hunderten von Einzelbildern zu einer raumgreifenden Größe zusammensetzen, gewinnt auch diese Monografie ihre Form aus dem Kontrast von Fragment und Ganzem. Versammelt sind in ihr alle 34 Texte, die über die Arbeiten von Katharina Gaenssler bisher geschrieben wurden, sowie alle 407.954 Bilder,