First ever sound-edition by famous Swiss sculptor and conceptual artist Roman Signer (b.1938).

This LP is a collection of 29 pieces recorded 1980-84. Outsider art home-recordings using voice, acoustic guitar, accordion and bontempi organ.

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans. As a ‘food of soldiers’ offering maximum energy for minimum funds, the eponymous mixtape, video series and book project is an equally nourishing and ambitious proposition. It all began in the East African summer of 2018, during a two-month residency at the Nyege Nyege label and collective’s villa, in collaboration with their sublabel Hakuna Kulala. Producer and PAN artist Simone Trabucchi (aka STILL) opened the door to his temporary studio in the city and a crucial cross-cultural collaboration was born.Includes a set of stickers & mixtape download code.

Movement Notation is considered the first publication of the "Eshkol- Wachman Movement Notation" (EWMN), developed by Noa Eshkol and Abraham Wachmann. With this polyphonic notation system, Eshkol and Wachmann centered dance on its basic

Anfang Gut. Alles Gut. eröffnet intensive Einblicke in die Diskussionen, Ideen und Konzepte einer Gruppe von 40 internationalen KünstlerInnen, MusikerInnen, AutorInnen und ArchitektInnen, die seit 2008 daran arbeitet, die futuristische Oper Sieg über die Sonne (uraufgeführt 1913 in Sankt Petersburg) zu aktualisieren.

Recorded voices recount the nature and dangers of human desire, crisis and transcendence with abandon.

Reissue of Rolf Julius’ first and only LP from 1985.

Das Heft richtet sich, um die, Zitat, »besten Musiken der Welt« ans Tageslicht befördern zu können, naturgemäß auch gegen kunstfernere Geschäftspraktiken, die sich allseits fest etabliert haben.

In seinem Buch “Heller als die Sonne. Abenteuer in der Sonic Fiction” (1998) postuliert der afro-britische Theoretiker Kodwo Eshun den Begriff “Fission” (Teilung, Spaltung, Zertrümmerung) als Gegenposition zur Praxis der “Fusion”.

Im Rahmen einer Ausstellung präsentieren und entwarfen die beiden Künstlerinnen Doris Lasch und Ursula Ponn aus München eine Maxisingle mit den Werken „Loop“ von Christine Lemke (Berlin) und „Gutemorgen Schazzilein“ von Willem Oorebeek (Brüssel). Das Schallplattencover ziehrt eine Fotografie der beiden Künstlerinnen.

An account of an album about Albania by British experimental musicians made in the eighties. Also involving stories about the Albanian Society, William Bland, A. L. lloyd, RCPB ML, and Cornelius Cardew. From Scratch is a story of Albanian Summer: An Entertainment, an LP album released by Practical Music in London in 1984.

Within six months of its publication in March 1967, first as a paperback original and, two weeks later, as a hardcover, a project rejected by seventeen publishers and on which even its publisher Bantam Books had placed design restrictions, was already in its 11th printing and approaching sales of half a million copies.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine:

The research of Mariateresa Sartori revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language. Depending on the project she embarks upon, the artist uses different mediums ranging from drawing – whether for small or wall-size works – to pinhole photography, video, and sound recordings.

Dance and musical improvisation are ephemeral expressions urging us to embrace the moment in thoughtful joy. Devon Fornelli’s improvisations documented here are two performances: his CitySounds, created on 18 September 2015 for the opening of the Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines, Ontario; and his Garden Performance, five years later, on 9 May 2020, offered as a reflection on the COVID-19 pandemic and the temporary lockdown of the MIWSFPA.

Wild Style Lion limited vinyl 12" collaboration with Kim Gordon.
The band recorded two songs with the indie-noise-legend in Berlin after J Mascis introduced her to the band. Dinosaur Jr. invited Wild Style Lion on their German Tour 2014.

On their latest LP, Vancouver artist-musicians Brady Cranfield and Kathy Slade cover classic punk songs about riots by the likes of Stiff Little Fingers, Fear, Circle Jerks, Subhumans, The Dils, The Clash and the Stiffs. The album was recorded live at The Candahar Bar, an installation by Theo Sims during the 2010 Winter Olympics.

CD

The Curves of the Needle is the title of an artist book (BAWAG FOUNDATION EDITION, vol. 5) and a slideshow which was in the center of the exhibition 299.792,458 km/s by Cerith Wyn Evans at the BAWAG FOUNDATION from 10 March to 7 May 2005.

Ähnlich Paul McCarthys berühmten »Trunks«, die ab 1982 mit den Props seiner Performances gefüllt wurden, sind die »Three Boxes« konzipiert, die Videofilme aus den Jahren 1970-75 enthalten und als geschlossene, aufeinander gestapelte Kisten ausgestellt werden. Ihr Inhalt wird in der vorliegenden Publikation erstmals und einzigartig öffentlich gemacht und dokumentiert.

NO ONES BOX - eine Box voll Poesie, voll bewegter Bilder für Auge und Ohr, eine Büchse, Schachtel für Pandora, Eva oder Pavlovs Hund.

The Ring Orchestra is an eight-person effort, a collective coming together to tackle opera and one of the genre’s controversial poster boys. In 18 compositions, the artists Born in Flamez, Gil Schneider, Simonne Jones, Leo Luchini, Legion Seven, P.A. Hülsenbeck, Isa GT, and Ixa create a collaborative musical score that uses Richard Wagner’s “Der Ring des Nibelungen” as the point of departure. Far from being an affirmative tribute, the orchestra sets out to deconstruct and break down what Wagner and his opus magnum represent:

Along the arc of Dalt’s music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace?

«An Unhappy Archive» versammelt künstle

Florian Fusco spent three months (Oct-Dec 2010) interviewing homerecording artists in their homes and bedrooms in Greater Manchester and Blackpool.

- comes with CD