The fifth volume in the series of artists’ catalogues raisonnés will be published by Kunsthaus Bregenz on the occasion of the exhibition.

In an interview with Yilmaz Dziewior, Maria Eichhorn expounds not only her Bregenz exhibition, but also discusses central aspects of her approach. A background essay by Alexander Alberro and Nora M. Alter locates the artist’s radical practice within an art historical context. Mirjam Thomann’s chronologically structured catalogue raisonné will be complemented by comprehensive visual and archival material on works, projects, and exhibitions since 1986. The addition of large-scale reproductions of her most recent exhibition in Bregenz will establish this as a definitive publication on Maria Eichhorn’s work. Language: English / German