Claes Oldenburg ist nicht nur ein Hauptvertreter der Pop Art, der Performance- und Installationskunst, sondern prägte auch gemeinsam mit Coosje van Bruggen die Kunst im öffentlichen Raum mit seinen monumentalen Large Scale Projects in zahlreichen Metropolen weltweit. (English)

This, the third book in the celebrated series by Juergen Teller and Nicolas Ghesquière, artistic director of Louis Vuitton, proves that their audacious collaboration is as alive as ever.

MONU - magazine on urbanism is a unique bi-annual international forum for architects, writers and theorists that are working on topics of urban theory, development and politics.

This project based publication edited by Julie Ault documents and analyzes a body of work by the critically acclaimed filmmaker.

37 projects by Slovenian and foreign artists in various public spaces in Ljubljana.

Engl./Slovenian

The Museum of Rhythm is a speculative institution that engages rhythm as a tool for interrogating the foundations of modernity and the sensual complex of time in daily experience.

Texts by Binna Choi, Lizzy van Leeuwen, Nuraini Juliastuti, Wendelien van Oldenborgh, Soewardi Soeryaningrat/Ki Hajar Dewantara

(Engl./Dutch/Indonesian Bahasa)

Zu ihrer Ausstellung Everyones Camera im Göttinger Kunstverein erforscht Lisa Oppenheim die Geschichte des Mediums Fotografie.

This catalogue is published on the occasion of the exhibition Pattern and Decoration. Ornament as Promise.

A selection of writings and artists' projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions

Recorded voices recount the nature and dangers of human desire, crisis and transcendence with abandon.

Carhartt Streetwear’s customer magazine Rugged, according to Popinski, the editor in chief, is “the pamphlet for all unreasonable gentlemen, insolvent ladies, professional slackers, young artists, next-door-gals and bearded fashion cats“.

With 100 colour illustrations, this book by writer, editor and broadcaster Charlotte Mullins is the first significant survey to examine Whiteread's career to date.

"The Presence of Absence: New Installations" is the exhibition catalalouge to the eponymous travelling exhibition and was followingly written by the show's curator Nina Felshin.

The book departs from the safe ground of merely depicting the individual works. Instead, Schäfer uses a complex meshwork of excerpts to zoom into his world of imagery, thereby giving the book its autonomous structure and contents.

Simon Lehner ist kein Jaga , was auf österreichisch Jäger bedeutet, zumindest nicht im herkömmlichen Sinn − aber er war viel mit Jägern unterwegs, nicht hinter Fasanen oder Rotwild her, sondern hinter den Jägern selbst –mittendrin mit Kamera und Bildinstinkt. Simon Lehner hat Talent nicht nur für das einzelne Bild sondern auch für die Entwicklung von Bildgeschichten. Jaga ist ein eindrucksvolles Debut-Fotobuch, an dem Lehner seit einigen Jahren, seit er 17 ist, gearbeitet hat.

Artist and illustrator Sara Fanelli is one of the world's foremost illustrators, renowned for her experimental techniques that have spawned many imitators. 'Fanelli's originality has brought a breath of fresh air to the world of picture books . . . with an off-beat humour and an inventive approach to everything from page design and typography, to choice of materials' (The Guardian)

Ausgabe 16 der Kunstzeitschrift Starship, die seit 1998 in Berlin erscheint.

Musical score written through the transcription of a daily occurrence.

A new revised edition, published in response to the first dramatic re-organisation of the gallery since 2000. Includes a new essay by Andrew Marr, an expanded of works in the collection, including recent acquisitions, and entries on over 120 artists as well as explanations of key terms in art and museology.

Tearoom is a companion piece to Jones’s video of the same name.

The Vincent Van Gogh Biennial Award aims to recognize and reward (at 50,000 Euros) emerging European artists who will have significant, enduring impact.

Nina Tobiens Künstlerbuch nimmt Bezug auf ein konkretes historisches Ereignis: 1777 sollte der Zauberkünstler und Illusionist Philadelphus Philadelphia, von Goethe und Schiller bewundert, ein Gastspiel in Göttingen geben.

Remember Pig-Pen in the Peanuts cartoons? He was always covered with dirt and grime. He was a walking sludge heap, filthy and proud of it:

Overkill

Visible reveals and invigorates artistic practices which have a real capacity for creating and experimenting with visions that can impact the social and cultural imagination of our contemporary world.
(Engl.)

One could call the artist?s book 360º by Martín Vitaliti a concept-comic. It is based on a single page from "La Banda del Missouri (The Missouri Gang)" designed by the acknowledged Italian Hugo Pratt. Its grid of thirteen panels has been reproduced forty-one times while the respective illustrations have been "expanded" by Vitaliti.

In a portfolio, Artforum 10/2014 presents images of Richard Tuttle's work and textiles, many never before published, along with "Building a House", the artist's own account of his working process for his new endeveaur: a monumental fabric-based installation in Tate Modern's Turbine Hall.

Booklet accompanying the Dutch pavilion at Venice Architecture Biennale - with a spotlight on the architect Jaap Bakema.

LORIMER ST. BLUES was published by Jason Duval for edition tm in 2009. The unnumbered edition is printed on newsprint and packaged in a plain newsstore envelope, making it a specifically tactile object. (Engl.)

This book is the result of two exhibitions that took place at mumok Wien: "The old expressions are with us always and there are always others" and "Always, Always, Others: Non-Classical Forays into Modernism."

Realism Materialism Art introduces a wide range of new realist and materialist philosophies and examines their influence within the arts. This dynamic collection of texts and images breaks realism and materialism out of their philosophical frames and opens them to broader cultural and social concerns.

Atlas soccer is part of atlas, a collection of images taken from newspapers and gathered from 1990 to 2010 and later filed by subject.

A publication about the history and meaning of posters.

The act, materials and time of painting are directly addressed in Bertolo’s work.

Together with isolated drawings and scalemodels, the The Be-Part Exercises can be seen as documents of the act of drawing in the midst of becoming.

One of the top-selling female artists in the world, Marlene Dumas is a young painter whose works deal with the cycle of life as well as issues of gender, sexuality, pleasure, and pain. This is an intimate look at her life—and the intellectual, ethical, and moral questions that stimulate and absorb her—as well as a comprehensive catalog of her drawings and paintings. Essays by prominent South African artists and her curator shed light on Dumas as a person as well as her creative work and its perception in the art world.

The basic idea of this issue of landscape is to explore the field of landscape design with narrative tools. In doing so, new questions arise about how we see and use landscapes within stories of everyday life, work, science, politics, fiction, movies, dreams, or the news.

This latest issue of Trapper Keeper invites fifteen artists from the worlds of underground publishing, zines and comix, installation art, graphic design, and experimental contemporary art to respond to the theme of UTOPIA.

Departing from the figure of the Taowu, a Chinese mythological monster of evil inclination used recently by historians and writers to symbolize the violent fate of Chinese utopian modernity, this publication interrogates the role of systemic and structural violence in the making of modernity and its artistic representations.

Catalogue covering Manders' double solo show "Isolated Rooms" at The Art Institute of Chicago and The Renaissance Society at The University of Chicago (9.13.2003 -1.4.2004).

Published to coincide with Welcome to Iraq, an Iraqi participation in the 55th International Art Exhibition la Biennale di Venezia, 2013. Texts by exhibition curator Jonathan Watkins and acclaimed Iraqi writer Tamara Chalabi.

An artist’s book and exhibition catalog at the same time, elegant and precious, designed by the founder of Conceptual Art. It serves as a visual analysis of the conceptual structures that interrogate the nature of color, form, space, and time, where the works and writings of Post-war artists such as Castellani, Fontana, Manzoni, and Klein, converse with Kosuth’s statements, and the theoretical as well as personal account of curator Cornelia Lauf.

For "Social Processes" a total of eleven artists and artists' groups have been invited to explore the social, cultural, and sociopolitical facets of Iasi on site. "Social Processes" is made up of three elements: a dialogic situation during the run-up, the exhibition, and a publication conceived of as a sourcebook.

This volume deals with historic or fictive monuments after they have disappeared as a consequence of ideological or political systems that have changed and follows what happens with the accumulation of information that persists in the material carcases of the built forms.

"The World According To" series seeks to challenge an artist to work in an unfamiliar way: using any source other than his own work, he develops an idea, a concept, a subject or a vision which can only be realized on 64 blank paper pages.

"The World According To" series seeks to challenge an artist to work in an unfamiliar way: using any source other than his own work, he develops an idea, a concept, a subject or a vision which can only be realized on 64 blank paper pages.

"The World According To" series seeks to challenge an artist to work in an unfamiliar way: using any source other than his own work, he develops an idea, a concept, a subject or a vision which can only be realized on 64 blank paper pages.

Allen Ruppersberg Drawing/and Writing is a two volume publication which explores the complex relationship of drawing and writing in Ruppersberg’s work.

Employing themes of classical and documentary travel photography, Baiker constructs new semiotic connections between historical and contemporary imagery. Cornerstones of Greek culture and history – politics, seafaring, architecture, sculpture and the theatre – become the parameters delineating the imagery of this project.

This publication refers to the 2008 exhibition and symposium "Reconstructing Swiss video art from the 1970s and 1980s" by the AktiveArchive research project.

The joint publication of Klaus Born, Valentin Hauri and Oliver Krähenbühl hosts three different ‘generations’ of painters and exposes three unique artistic approaches.

In our cultural imagination, the cosmos is a harmonious, utopian universe, but it is also uncontrollable, even unknown, and the source of a specifically modern fear or uneasiness—one that could be described as “cosmic anxiety.”

Bite Marks in Paper presents a series of intimate structures which function somewhere between two and three dimensions. Over the course of twelve months Myers used the action of biting paper to create a series of blind embossed paper documents, suggesting fragments of the everyday, as unique records of the impulses that precipitated them. In addition to the release of the publication, there will be a special accompanying text by Byron Coley, and a limited, deluxe edition.

Katalog mit 45 Abbildungen im vierfarbigen Offsetdruck, gestaltet von LA Graphic Design mit Texten von Aaron Bogart und Tom Morton und einem Gedicht von Bjørn Rasmussen.

Curator: Dan Cameron.

This book contains visual and written information on 7 films.
(English, Spanish)

Künstlerbuch mit 48 Abbildungen im vierfarbigen Offsetdruck, gestaltet von Cecilie Svanberg mit einem Text von Sara Hatla Krogsgaard.

The Garden is a photographic series that focuses on the relationship between a person and a garden, which can be seen as some sort of artificially created landscape.

Negus has originated from a very specific historical event dating back to the time of the Italian occupation in Ethiopia in 1936, when a wounded soldier was forced to return to Vernasca (PC), Invernomuto’s native town. On the occasion of his return, the community organized a joyful and obscure ritual in the main square during which was burnt the effigy of Haile Selassie I, last Negus of Ethiopia as well as the Messiah according to the Rastafarian cult, developed in Jamaica during the early 30s. The book, further development of the project Negus, contains an extensive visual section developed drawing on various personal archives, two unpublished essays by David Katz and Anna Della Subin and an interview with the two artists held by Frida Carazzato (Museion, Bolzano) and Emanuele Guidi (ar/ge kunst, Bolzano).