This fascinating book explores the interwoven lives, radical art, and shared experimental spirit of Marcel Duchamp and four of America's most important postwar artists: composer John Cage, choreographer Merce Cunningham, and visual artists Jasper Johns and Robert Rauschenberg. The publication traces the relationships among all five of these artists by mapping their intersections and examining the depth of their artistic exchanges.

Published by the South London Gallery on the occasion of Alice Channer’s solo exhibition, Out of Body, 2 March - 13 May 2012. This catalogue includes an essay by Barry Schwabsky, a conversation between Alice Channer and curator Sam Thorne, and a selection of colour images of her SLG exhibition and of past work.

Produced on the occasion of Ireland’s representation at the 53rd Venice Biennale, 2009. With essays by Tim Stott and JK Gibson-Graham.

This volume accompanies the eponymous exhibition at the Sharjah Art Museum—two parallel solo shows by Angela Bulloch and Maria Zerres brought together under one title, framed by the notion of entropy. Likewise, the publication takes the form of two separate but related exhibition catalogues, each leading toward the book’s center.

Cave is a series of publications featuring commissioned and republished explorations, anecdotes, research, documents, case studies, essays, and scenarios on how to think and practice contemporary collecting.

A Book About Colab (and Related Activities) – edited by Max Schumann, and with a Foreword and Afterword by art writer and Colab member Walter Robinson – traces the output of Collaborative Projects Inc. (aka Colab), the highly energetic gathering of young New York downtown artists active from the late 1970’s through the mid 1980’s.

Katalog zu der gleichnamigen Ausstellung an der Univeristät für angewandte Kunst Wien.

COOP a-script is an artist book based on two performance scripts by Fia Backström.

Kubas zeitgenössische Kunst jenseits von Karibikmalerei und Revolutionskitsch –kubanische und exilkubanische Künstler und ihre Kunst – weltoffen wie noch nie.

"This is where I was."

For the first time, this book—authorized by the Gala-Salvador Dalí Foundation—provides a visual history of Dalí’s entire career, illustrated with previously unpublished personal photographs, sketchbooks, drawings, letters, posters, and commercial designs, many of them drawn from the archives at the Gala-Salvador Dalí Foundation.

All that is solid melts into air. Notes on Tourism is a reflection on the work of artist and writer Delphine Bedel. From amusement parks and monuments, to camping and beach resorts, her photographs and writings document sites of tourism in diverse contexts. She brings into question the visual representation of leisure, architecture, and cultural artefacts.

There seems some mystery as to why these works have not been shown before, but I suppose the simple answer is that it has been purposeful on my part. My pure POP period was very brief in comparison to the span of works until now.

The unfinished works of Sergei Eisenstein are traversed by aesthetic, anthropological, and political questions. Focusing on the anthropology of rhythm that the Soviet director developed in his Mexican project, Que viva Mexico!, this book also extends its analysis to the film projects Bezhin Meadow and The Great Fergana Canal.

The origins of this book lie in a waterlogged landscape out of which looms the library of an artist (Pepe Espaliú, 1955-1993) deposited in a public institution (Arteleku, Donostia-San Sebastián) that suffered a series of physical and ideological deluges, including the overflowing of a nearby river intent on bursting its banks and flooding the memory of the place.

The Emergency Exit installation not only merges the disciplines of architecture and art within this project, it is the culmination of a collaborative dialogue between Agnieszka Kurant and Aleksandra Wasilkowska that unites their interests and professional experiences.
(Engl.)

The book is a reader on the program of 2010 taking place at Open Space.

Travelling with the most diverse inventions of image machines was a common practice already in pre-cinema times, in order to present both new possibilities of visual perception as well as images of distant cities and countries, often in connection with educational intentions, at fun fairs, in show booths or in public places.

Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert? führt die Auseinandersetzung mit dem West-Berlin der 1980er Jahre im Blick auf das filmische Medium und die Institution Kino. Im Jahrzehnt vor dem Mauerfall verschrieb man sich nicht länger der Weltrevolution, sondern drang auf die Verwirklichung alternativer Lebensformen zwischen atomarer Endzeit und Häuserkampf, Schwul-/Lesbischsein und Feminismus, Punk, New Wave und Drogen. Die Abkehr von dem, was normal ist, äußerte sich in ästhetischen Experimenten, kostümhaften Inszenierungen oder in der Verweigerung vieler Filme und Videos, einer geschlossenen Narration zu folgen.

In den letzten 20 Jahren haben sich in den Städten der früheren sozialistischen Länder – von Mitteleuropa bis Zentralasien – drastische Umwälzungen vollzogen.

Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.

On three occasions, between the fall of 2008 and the spring of 2009, Witte de With, center for contemporary art, organized three symposia under the title 'Rotterdam Dialogues: The Critics, The Curators, The Artists'. Each three-day event focused on one agent in the art world, looking at their expectations, positions and the contexts in which they operate.

The Making of PAPA is a photo book. It contains 250 photographs taken by 35 photographers from 6 countries.

A Collection of Helen Korpak's Photographs.

BUT WE LOVED HER – der Titel von Ursula Mayers Ausstellung entstammt einer Abbildung in der britischen Tageszeitung The Independent vom 17. April 2013, vom Tag, an dem Margaret Thatcher beigesetzt wurde. Die in London lebende Künstlerin sammelte in den Tagen nach Thatchers Ableben alle Zeitungsartikel und stellt diese vier Worte programmatisch ihrer Ausstellung in Wien, aber auch einer Werkphase voran, in der Fragen zu den Möglichkeiten neoliberaler Identität, zur Konsumkultur in einer postkapitalistischen Gesellschaft und zu deren Vorläufern im Vordergrund stehen.

This magazine is a collaboration between photographer Hilda Grahnat and art director/ graphic designer Linnea Paulsson.

Svenja Deininger versteht Malerei als Prozess: Ihre Bilder, an denen sie oft über lange Zeiträume arbeitet, betrachtet sie nicht als abgeschlossene Einheiten.

The title of the exhibition „implies a state of lingering doubt“, observes Vincenzo de Bellis, the curator of this Mexican artist’s show at the Museion. A dialectic tension – physical, content-based, and semantic – runs through the exhibition, as a tool for meddling with the viewer’s beliefs.

Displayer is a publication of the Exhibition Design and Curatorial Practice program at the Karlsruhe University of Arts and Design.

In Not Quite Replica: Meteorite (2004/2005), Kriemann delves into the public archive around the Willamette meteorite.

The publication "Beauty Unrealized / spider webs of personal universes seeking a form" is the testimony of a series of collaborative ventures, organized by artist-run space Public Space With a Roof, Amsterdam.

A project in seven parts, from January to July 2007, intiated by Tamuna Chabashvili, Adi Hollander and Vesna Madzoski.

This fully illustrated, artist-designed catalogue features the most recent work of New York-based artist Josephine Meckseper.

Monograph that was originally published in 1969 on the last great work of art done by Duchamp that resides permanently in the Philadelphia Museum Of Art. Illustrated with b&w photos of many of Duchamp's other work along with examples of work by artists who were strongly influenced by him.

"Closer – The Dennis Cooper Papers" profiled the influential literary figure of Dennis Cooper (1953, Pasadena, USA), acknowledging his important impact across literature, poetry, performance and visual art.

Norwegian “black metal” music was born in the late 1980s as a reaction against the fact that heavy metal music had become mainstream.

Art book by Texas Angel Maehle, printed by Cosima Pitz in a limited, hand numbered edition of 300.

Ed Ruscha (born 1937) has been casting his eye across the landscapes of the American West for over 50 years, taking in everything from gas stations to swimming pools to sublime mountain ranges. With their clarity and deadpan wit, his photographs, drawings and paintings impart a mood of playful awe on everyday monuments.

Rafaël Rozendaal’s artistic practice comprises websites, installations, prints and writings. His work takes shape through a range of transformations—from movement into abstraction, from virtual into physical space, and from website to print—with all of them informing each other.

Giving Voices features four of Erkan Özgen’s video works dealing with war, violence, and trauma—beyond the boundaries of the political, within the dimension of the private and the human.

Der Alterungsprozess wird in der öffentlichen Wahrnehmung heute in erster Linie als Defizit angesehen. Begriffe wie „Anti-Aging“ vermitteln den Eindruck, Altern sei etwas Pathologisches. Der vorherrschende Jugendlichkeitskult bemüht sich, die Spuren des Alterungsprozesses auszublenden.

The book (book design by Jonas Wandeler) contains 101 pages, a bibliography of sources Part ones, and was printed in an edition 101 copies, each containing one original Part one and nominated one of the Most Beautiful Swiss Books/Schönste Schweizer Bücher of 2010.

On the occasion of the exhibition The (Hemi)Cycle of Leaves and Paper at the Ghent Museum of Fine Arts, Malaysian artist Simryn Gill brings out an artist book entitled "Wormholes".

This is a voyage through Neubronner's archive of photographs, remembering the first person who tried to see the world from a bird's eye view.

Yokota's and Pinckers' Floating Worlds is a catalogue for an exhibition curated by Nicoló Degiorgis at fotoforum Gallery, Bolzano/Bozen, Italy, in May 2016.

Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.

Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.

Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.

Alphabet prime is a new biannual arts journal presenting critical texts, artist contributions, and fictional works, among other content. The publication takes as its focus the problem of language in contemporary discourse, and its limitations within the established framework of "theory."

A limited edition magazine each issue of which is effectively a "performance" by a chosen artist who determines every detail of the text and graphics.
Published since 1990. A collector's item.

A limited edition magazine each issue of which is effectively a "performance" by a chosen artist who determines every detail of the text and graphics.
Published since 1990. A collector's item.

One of the fundamental events of modernity was the conquest of the world as picture, a process in which movies were essential.

(English, French, German) Following a series of monographic exhibitions held in Europe and North America between 2008 and 2011, this publication offers a first survey of the multi-facetted work of the Austrian/Canadian artist Klaus Scherübel.

A series of short essays by Payam Sharifi exploring the clash of civilizations between the US and Iran across such cultural phenomena as the monobrow, soft drugs, and men’s ties. Excerpts from a forthcoming book.

Mary Kelly's Post-Partum Document has been widely exhibited and intensely debated since its first scandalous appearance in the 1970s. Now, more than twenty years later, the Document's initial challenge to conceptual art and its impact on the emerging discourse of sexual difference have taken on a new significance.

White Fungus is an experimental arts magazine based in Taichung City, Taiwan.
Featuring writing on art, music, history and politics, plus original artworks, poetry, fiction and comics, White Fungus is an ongoing experiment in community media art. As the spores have been released in creators look forward to seeing which way the wind blows. The only thing more uncertain than its future is its past.

"A report from the front lines of cultural activism looks at spatial practitioners who actively trespass into neighbouring or alien fields of knowledge." (Markus Miessen & Shumon Basar)

In her previous series of photographs, "Living Together" Vibeke Tandberg montaged together two pictures of herself with the aid of a computer, resulting in a single image depicting what looked like twin siblings interacting.

H.H.Lim – Politicamente Parlando: the book is a research about the chinese/malysian artist H.H. Lim, based in Rome.

Salvo makes and shakes photography. The ambition is to publish three times a year. Depending on its theme, each edition may vary in size and run. Each issue will contain photographs, inspired on a self-chosen theme.

The core of this book consists of a richly illustrated text that provides an exhaustive description of avant-garde film production in Austria, both past and present.
(Engl.)