Photocopy book. (Engl.)

Which artworks do artists consider important and influential? Which pieces would artists like to see exhibited? What artworks have had an influence on other artists' work?

This is a 2009 Drunken Boot publication.

press to exit project space continues its focus of developing the three main programs: Visiting Curatorial Initiative, New Project Productions and Lectures, Presentations and Exhibitions which are exploring ways of generating ideas, projects and collaborations with artists and curators form Macedonia, Europe and beyond. Parallel to the main programs press to exit project space is developing a Publishing Program focusing on antistatic and curatorial research projects.

‘With less to look at, there is more to think about.’ That was the motto Bernard Brunon gave to his Houston based company ‘That’s Painting Productions’ some twenty years ago, when his work as a house painter became his activity as an artist. This process, however, did not happen overnight. The interviews in this catalogue, accompanied by images, describe and explore the processes and motivations behind these developments.

This publication celebrates the first year of Easter Trouble Press, by curating together a diverse group of images relating to the Easter holiday.

Der 1977 von dem amerikanischen Architekturhistoriker und -kritiker Charles Jencks vorgestellte Definitionsansatz zur postmodernen Architektur hat sich bis heute international etabliert.

Panel is an artist magazine based in Vienna. Each issue forms around the idea of finding a common theme, a form of serendipity, without revolving around a "topic". See it as a group exhibition on paper.

ART-O-RAMA, first international art fair in the south of France, has been developing, since 2007, a new format that makes it unique; each booth is considered as an exhibition space whose architectural specificities lie on the gallery’s curatorial proposition for our fair. We allow gallery owners to present themselves under a unique and original light, signing their artistic line in a space they have designed according to the project they have built with their artists.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename. (English)

Each bookcover stitched with Corrente Coats thread. Plastic Bagged. (Engl.)

'Encyclopedia of Fictional Artists (1605 – today)' is a publication by Koen Brams, who together with co-editors developed a compilation of biographies from fictional artists as presented in world literature. Although previously published and distributed as literature, this compilation provokes the perception of the art context as a descriptive and historical narrative and is therefore to be seen as a conceptual framework for potential artistic additions.
(Edited by Koen Brams)

In most countries art education is not immune from a large-scale reorganisation. Educational institutions are increasingly required to operate as enterprises that compete for the best or the largest number of students and to express their objective and results in financial and management terms. (English)

Five essays that take an intimate look at what language’s role is in moments of dramatic change, and how to find meaning for artistic practices in these transformative conditions.

Diese Veröffentlichung von David Bestué erforscht die Arbeit von dem spanischen Architekten Félix Candela in Form von Gedichts-Diagrammen.

Connecting to hospitality and its import on the island, the project attempts to preserve local heritage, foster the arts, and to stimulate an entrepreneurial culture of art and design as well as international dialogue.

Rehearsing Realities, an exhibition on paper began with a proposal to a group of international artists and curators, inviting them to imagine a fictional exhibition at FormContent.

"The foul mouth--c'est moi!--mouths off in lovingly excremental language as it negotiates figures of popular (Liza Minnelli, Michael Jackson, among others) and not so popular (Liza Minnelli, Michael Jackson, among others) culture.

Could there be, nowadays, any links between pin-up poses, war, terrorism and love?

Which artworks do artists consider important and influential? Which pieces would artists like to see exhibited? What artworks have had an influence on other artists' work?

Hip-hop was never a musical movement, but rather an expression of youth culture. Its adaptability, the inventiveness of its protagonists, and its continuing relevance have revealed its true potential over the course of the last 40 years.

Neo Calder sculptures and transfusion tubes, drawings of photos taken from Austrian and Chinese daily papers, Parisian street maps, boards with navel fluff, videos of helicopter ambulances and deformed plaster sculptures, which look like surreal melted tools, could never have a common denominator.

In the mid-1970s, Harun Farocki wrote a two-page call programmatically entitled What Ought to Be Done, followed by a survey addressed to potential collaborators and supporters.

The Incidents is a series of publications based on events that occured at the Harvard University Graduate School of Design between 1936 and tomorrow.

Following the 2015 exhibition “Florian Hecker/John McCracken” at Künstlerhaus, Halle für Kunst & Medien Graz, this publication probes the experimental capacity of the white-cube space of the gallery.

Martin Herbert’s The Uncertainty Principle is a collection of essays that reveals layers of unknowing and open-endedness within a diversity of contemporary art practices since the 1970s.

2nd Edition Photozine: Herrenreise 2012

Collection of texts of various artists.

In recent years, artists and curators have often been confronted with the political dilemma of engagement or disengagement.

Ilya Kabakov's 1988 installation The Man Who Flew into Space from His Apartment presents an isolated dreamer who develops an impossible project - to fly alone in outer space.

A major new look at experimental political writing and publishing.

FRANZ THE LONELY AUSTRIONAUT is a “Magazine for Narrative Drawing”, founded in 2010 by a group of artists looking for a way to publish their artwork in a more independent way. The self-published zine was named after the one and only austrian cosmonaut Franz Viehböck.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

“Any customer can have a car painted any colour that he wants so long as it is black”, Henry Ford wrote it in his autobiography published in 1922, speaking about the well-known Model T.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

Un cop d’ull (in Catalan) refers to un coup d’œil (in French), literally an eye’s knock, a stroke of the eye.

Three rolls of black and white film, a prism and filters.

"Líneas Cinéticas" is a study of one of the temporal resources regularly used in comic to represent movement: kinetic lines.

"Johnny, are you queer?" is a brief meditation on the steamy dynamics churning beneath the surface of The Wild One, one of the most deliciously homoerotic epics of all time, intentionally or not.

The first installment of The Social Life of the Record, a series of original texts by musicians, fans, critics, collectors, dealers, label owners etc. - reflecting on recording, releasing, listening to, filing, flipping and DJing records today.

This collection is the first step toward a larger project, a travel book for the adopted city. That is what London is for millions of its inhabitants.

"The spraycan-owner who left a graffiti decades ago on the wall of the housing estate had toi adress a bunch of issues." (English/Hungarian)

This booklet can be eat.

This catalogue accompanies Taylor’s exhibition “The Story of Stripes and Dots (Chapter 5)” at Fogo Island Gallery (September 27, 2013–March 23, 2014), which follows his two-part residency with Fogo Island Arts in 2010 and 2012. Featuring essays by Zoë Gray and Saelan Twerdy, and Taylor in conversation with Patrick Staff and Robin Simpson, the book also presents the artist’s portfolio An Index Describing the Individual 19 Thoughts about Stripes and Dots Arranged on a Vitrine Made of Brass and Glass.

Launched by Ashkal Alwan in Beirut in 2011, the Home Workspace Program (HWP) is a 10-month arts study program that enrolls 10-15 fellows per year.

Simon Fujiwara is a Berlin and London-based artist.The Incest Museum has been shown at Umberto Di Marino Arte Contemporana, Naples, The Royal College of Art, London, OTIS, Los Angeles, and Limonchello, London.

Shawn Serfas grew up exploring the northern reaches of Saskatchewan’s lakes and river systems. Although initially drawn to an academic career in the environmental sciences, Serfas pursued Fine Arts and Art History degrees in Saskatchewan as well as a Master of Fine Arts degree at the University of Alberta.

Internal Necessity was the topic of the Sommerakademie 2009, curated by Tirdad Zolghadr.
(Engl.)

This Book reports from a long journey through an intimate but fragmented world. A selection of land- and cityscapes: the wind, the streets, flowers out of focus, a religious vision, and a letter from a friend.