Doris Lasch and Astrid Seme focus in their project The imaginary museum (2017) on a political text work by US-American artist Barbara Kruger originally shown at Kunsthalle Basel in 1994.

Geigers latest publication tells us a story about two children talking about trees.

(Englisch)

He’s the only human being in recorded history to claim the distinction of swimming the entire length of the Mississippi River.

In the publication „Im Land der leeren Häuser“ you find ten photographs of Thomas Geigers bookcoverobjects, all with the same title „Das leere Haus“ but written by different authors.

Bilder aus der Denkmaschine
Images from the Thinkingmachine

Martin Chramosta collected the small sculptural elements and architectural details of the Alsatian heritage and casted them from a new material that is characteristic for the local cuisine: the molasses. Faces and figures, all find their place in this candy curiosity cabinet.

The Finnish artist Mikko Kuorinki interpreted Foucault`s The Order of Things literally and put all the words of the book in alphabetical order: From A to Zoophytorum.

Bricks to Perform was produced on the occasion of Retour de Paris at Stiftung Centre Culturel Franco- Allemand Karlsruhe.

"Stell dich mal auf einen Fleck,
bis einer sagt: Geh endlich weg."

For about 40 days every single morning I placed a full bottle of beer in front of a bench, on which during the day the bummers will come to sit.

Jannik Giger assembled an orchestra out of various, small Found-Footage samples. What emerges out of disparate materials and incoherent sound textures finally becomes a fictitious orchestra, a homogeneous, independent and through-composed apparatus in a fictional space.

Geiger entwirft ein Wörterbuch der Produktnamen von ALDI und Hofer.

The publication was published on occasion of Doris Lasch’s exhibition at Kunsthaus Baselland and is accompanied by the text The Love of images by Dominiek Hoens and an interview with Ines Goldbach.

‘Hi there, is there anybody out there?’ This quest for interaction with unknown others, out there, is what engages Esther Hunziker in her work.

The publication was published on occasion of Bianca Pedrina’s exhibition at Kunsthaus Baselland and is accompanied by the texts Architecture–Gaze–Body by Salome Bessenich, Attending to Detaily by Ines Goldbach.

Astrid Seme (* 1985) beschäftigt sich in ihrer künstlerischen Arbeit verstärkt mit dem Verhältnis aus gesprochener und geschriebener Sprache. Die grafische Notation von gesprochner Sprache und die akustische Interpretation von grafischenen Notationen bilden dabei ein zentrales Thema.

Astrid Seme (*1985) is studying graphic design in the masters program Werkplaats Typografie in Arnhem, the Netherlands. Her main artistic interest is the investigation of the relation between oral and written speech. In this respect, her central theme is the graphic notations of oral speech and the acoustic interpretation of graphic notations.

KATALOG is the first catalogue raisonné about the works by Swiss artist Daniel Göttin.

‘The persistence of thoughts of such a kind in individual memory is very rare. If they are not fixed by writing or other means, they tend to disappear in a short time. This process of erasure operates in a similar manner to what happens during the forgetting of dreams.

2017 begann das Künstlerkollektiv Triple Candie (Shelly Bancroft und Peter Nesbett) mit der Arbeit an einem vielschichtigen Forschungsprojekt, im Zuge dessen sie die Werke und Methodologien des amerikanischen Künstlers Michael Asher (1943–2012) untersuchten. In diesem performativen Projekt unternahmen sie den Versuch, die verlorenen, experimentellen Potenzialitäten von Ashers situationellen Kunstwerken wiederaufleben zu lassen. Dafür führten die KünstlerInnen profunde