In this artist book Aglaia Konrad presents photographs taken in the Carrara region in Italy between 2008 and 2010.

Drawings by Kopelman based on historical maps dated from the XVI to XIX centuries. 'Logicas Desviadas' is the first volume of the series 'Notes on Representation' by Kopelman.

It’s impossible for the viewer not to be affected by the color sensations that Roland Schimmel’s airbrushed paintings evoke. In his work, he strives towards a visual short circuit: he manipulates perception at the level of its unconscious reflexes. The after images that are generated after perceiving shapes and colors play a central part in his work. He combines image with after image: when they are squeezed together into a simultaneous presence, an unbearable pressure results. Reality and illusion seem to be projected interactively on the canvas through the eye. This way, what takes place within us is made perceptible outside us, so he plays a game with the border between perceptible reality and projection.

Introduction by Eva Wittocx
[ENG/DUT]

Buch zur Ausstellung "Roma Publications 1998-2005 im S.M.A.K. (Stedelijk Museum voor Actuele Kunst), Gent, mit Bildern und Texten von

Daan van Golden
Raoul De Keyser
K. Michel
Menno Wigman
Tonnus Oosterhoff
Bas Jan Ader
Johannes Kahrs
Eva Gerlach
Miriam Van hee
......

For about a decade, the pictorial work of Miquel Mont has developed in a parallel and contemplementary series, based on specific processes of creation (series of scatterings, drops, pourings, skins as well as stacked, immured, mural or ready-made paintings) together with modes of thought, approach and exhibition of painting in its materiality, its tactility, its relation to the environment, to space, to light and to spectators. [ENG/FR]

"Consistent and consequent in content and idea development yet multifarious and irregular in shape and form, there is no better and more succinct way to describe the work of Nicolas Floch. far from being a one-trick pony Floch explores many pathways to achieve teh goal he has set out for himself. He combines his fascination for the natural processes of growing and development with a keen interest in the processes of production, distribution / circulation and consumption of fashion and design." (Ann Demeester)

A book full of powerful photographs of mysterious monuments in former Yugoslavia.

Suggested Taxation Scheme / Gabriel Kuri
Publication based on the installation "Tillaga ad Skattaaaetlun / Suggested Taxation Scheme / Reforma Fiscal", made for the exhibition "Work Time, Life Time, Material Time", Reykjavik Arts Festival, 2005. Text by Jessica Morgan.

Artist Book
[ENG/ESP]

240 Houses in 16 settlements, built in Nazi Germany between 1933 and 1945, photographed by Van der Weijde in the spring of 2008

Während die Tankstellen typisch amerikanischer Prägung längst weltweit verbreitet sind, bezeugen ihre Wiener Pendants das Überleben einer zarten europäischen Großstadtvariante.

Seit Jahren löder der Kunstverein Göppingen Künstler ein, die individuell und oft mit Humor und feiner Ironie auf diesen öffentlichen Raum mit ihren Skulpturen eingehen, sei es auf die Architektur, die Heimeligkeit oder die "Möbilierung" des Platzes.

City People is a personal encounter of Ringel Goslinga with the city he lives and works in: Amsterdam. In 122 black and white portraits, made with a large format camera he documented the different circles of his social surroundings.

Sequence of newspaper images collected by Raymond Taudin Chabot as source material for his 'men-in-suit' slow motion video works (see: www.raymondtaudinchabot.net).

Landscape photographs are normally full of information about the location, horizon, scale, distances and perspective of the landscape. Not so with the photographs of Frank van der Salm(born in Delft in 1964).

Book and dvd by Roland Schimmel (* 1954) with an essay by Dieter Roelstraete and an introduction by Miguel Wandschneider.

Book about the work and thoughts of the Mexican artist Gabriel Kuri, published in co-production with CoNaCultA, with support from kurimanzutto, Mexico City and Franco Noero Gallery, Torino. Texts by Dieter Roelstraete, and Maxine Kopsa.


(Eng/Spanish)

A voluminous book containing a precise composition of images from other books. The result of a long term investigation, this voluminous encyclopaedia contains solely images collected from other books, and reads as an exhilarating and extremely rich filmic sequence. Suter's interest lies not only in the iconographic value of images and the way that the human brain processes visual information, but also the causes by which images become charged with associative values.

Book about new paintings of Kees Goudzwaard (* 1958 Utrecht, NL) on on the occasion of his solo-exhibition in Culturgest, Lisbon, from May 20 until August 27, 2006.

Book about the paintings of the Dutch painter Kees Goudzwaard (* 1958 Utrecht, NL).

"Just as painting is a way of speaking about reality which can, if so desired, find its way towards elucidation and/or poeticisation by the most varied and divergent pathways, there are very different ways of speaking about painting. (Art history as a whole largely coincides with the history of this 'speaking', of the various 'readings' that are used by the 'speakers'.)" (DIETER ROELSTRAETE)

One of the top-selling female artists in the world, Marlene Dumas is a young painter whose works deal with the cycle of life as well as issues of gender, sexuality, pleasure, and pain. This is an intimate look at her life—and the intellectual, ethical, and moral questions that stimulate and absorb her—as well as a comprehensive catalog of her drawings and paintings. Essays by prominent South African artists and her curator shed light on Dumas as a person as well as her creative work and its perception in the art world.

Catalogue covering Manders' double solo show "Isolated Rooms" at The Art Institute of Chicago and The Renaissance Society at The University of Chicago (9.13.2003 -1.4.2004).

In Manders's drawings, which clearly occur on a two-dimensional plane, a complex world is constructed. Certain elements continually resurface in different forms. In this way, he invests these individual elements with a visual past. Manders's technical style is diverse. The drawings seem to have been created quickly and directly, sometimes with only a few lines that encompass interior spaces. Depth is created with simple methods of perspective; these never deny the two-dimensional surface of the drawing paper, however.
In his drawings, Mark Manders plays with the spectator's perception and seems to be able to anticipate how one thought follows the next; his images direct the thought process.

Artist: Marc Nagtzaam
In collaboration with: Culturgest, Lisbon

The publication "Beauty Unrealized / spider webs of personal universes seeking a form" is the testimony of a series of collaborative ventures, organized by artist-run space Public Space With a Roof, Amsterdam.

A project in seven parts, from January to July 2007, intiated by Tamuna Chabashvili, Adi Hollander and Vesna Madzoski.

Storage and Display turned out to be a frenzied group show where all sixteen of the participating artists were continuously working – and altering their work. The site was the Programa Art Center in Mexico City. The activities and the work of the artists are documented here in glossy full-page spreads, through interviews and essays printed on mat paper.

W139 - a Space for continuous production and presentation of Contemporary Art since 1979. Dedicated to risk and experiment.

Book with photographs of billboards in which the advertising surfaces display switches, buttons and other daily objects.

‘With less to look at, there is more to think about.’ That was the motto Bernard Brunon gave to his Houston based company ‘That’s Painting Productions’ some twenty years ago, when his work as a house painter became his activity as an artist. This process, however, did not happen overnight. The interviews in this catalogue, accompanied by images, describe and explore the processes and motivations behind these developments.

Story about a project for the KIASMA Museum in Helsinki, Finland, that was canceled two weeks before its realization. It was intended to become an installation of three intersecting Moebius strips 'circling' around the gallery, functioning as a platform to exhibit works of other artists.

Van Riessens Wechselspiel mit Identität und animistischer Umkehrung der Verhältnisse von „beseelt“ und „unbelebt“ erinnert an die comic- bis pierrothaften Maskierungen aus der Welt des Pop