The Healthy Boy Band has done it again. After they founded their magazine The Healthy Times in 2020, the third issue is already being published.

In 1977, the artist from Dornbirn known as FLATZ is still a young protagonist in the international art scene and is eager to establish his art as well as himself.

Markus Redl has been working on his library of stones, an open collection of bodies as saturations of space, since 2004.

“Das phantomastische Malbuch” is a creepy, preposterous, and endearing adventure in painting produced by big artists for little ones, designed for persons of all ages.

The year of lockdown was an occasion for Markus Redl to undertake a journey in the smallest radius and to deal with the objects that surrounded him.

In 2020 the composer, concept and media artist Hofstetter Kurt was awarded the Austrian Art Prize—Media Art (State Prize of the Republic of Austria) for his internationally recognized oeuvre.

In art around 1990, an entire series of work forms indicates the existence of a broad spectrum of strategic shifts into other professional roles that are taken up on a fictional level by artists.

Natasza Niedziółka’s fascinating works move along the interface between painting, drawing, and textile art. The canvas constitutes the carrier for her abstract, haptic embroideries.

The renowned Polish contemporary artist is known for his participatory art projects, figurative sculptures and performative self-portraits.

In his photo series, Asamoah shows us young men through time, finding contentment within the transitions of boyhood to adult-hood.

Wien is a perennial calendar featuring twelve illustrated glimpses of contemporary Vienna. Francesco Ciccolella, born in Salzburg in 1990, is an illustrator and graphic artist living in Vienna. His award-winning illustration work regularly appears on the covers of international newspapers and magazines or on advertising billboards around the globe. And now, on a brand-new calendar. Limited edition of 500

In the Kunstraum Dornbirn Erwin Wurm presented a selection of works from the “FAT SCULPTURES” series under the title “BIG”. His well-known ironic access to fashion items, everyday objects, groceries, cars and houses turns the works into significant statements of our consumer behavior, which are commented on in a humorous, profound and sometimes sarcastic way.