Over the past intensely productive decade, Louise Bourgeois's drawings have been dominated by diary-like work in which text and sign often mix. This extensive compendium of that work and its antecedents shares a series design with her recent book of sculpture, and the dialogue between mediums is lively in both titles, which also share a

Disler is regarded as one of the founders of the Neue Wilde movement, making him (along with Miriam Cahn and Klaudia Schifferle) one of the pioneers of a generation of artists in the 1980s who succeeded in conveying an unusually impetuous sense of the body in their figurative imagery. His paintings continue to attract attention today.

This artist's book is characteristic of Jean-Michel Wicker's work with typography and graphic design. It features a series of graphic works, a “tree of life” produced in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker. The publication's inserts reproduce collages and paintings by Wicker.

Materials Lab sits between sculpture, installation, documentation and research. Material Lab is a landscape’ of materials such as silk threads, books, book segments, exhibition catalogues, models, text fragments, magazine pages, inkjet prints, notes, drawings, marble, steel, bricks, dirt, dust and fragments of artworks drawn from

Autoreduction is a project initiated by Dora Budor at Progetto (Lecce, Italy) in the summer of 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy. Conceived as a companion to the exhibition, the book features

This book is published on the occasion of Pablo Bronstein: Pissoir, at Kunsthal Charlottenborg in 2011, curated by Mark Sladen. It includes a foreword by Mark Sladen, essays by Keith Miller (The Poetics of Waste/Affaldets poetik) and Dominique Laporte (History of Shit/Lortets Historie), images of Pablo Bronstein's work, and an appendix with schematic plans by Melissa Appleton.

“Throughout history and noticeably during the COVID-19 pandemic, many of us in the Asian diaspora have become targets of violence in public spaces. I wanted to create this work with performers of Asian descent to employ movement as a form of solidarity and resistance,” says Chong. Commissioned with the invitation of

GIRL ON CANVAS is an artbook project by Pola Dwurnik about painting and its reception. It explores an aspect of her paintings that is completely beyond the artist's control, the life of her works in the minds of viewers willing to actively engage with them. Over thirty different contributors have written about their intellectual and

In her film-poems artist and filmmaker Ana Vaz collages images and sounds that revolve around violence and repression, the impact of ecological ruin and the continued colonization of the earth. The deconstruction of the grand narrative of Western modernity that imposes itself across vast territories on this planet lies at the heart of her filmography.
In her exhibition at the Secession, Vaz showcases her new film series Meteoro (2023–). Predominantly focusing on Paris and Porto, European cities are depicted as on the verge of collapse or on the path to extinction.

Concurrent with the exhibition Autofictions in Stone, a publication features six sixteen-page sheets designed by Aglaia Konrad: sequences of images showing construction sites, architectural structures, demolitions, and quarries from Konrad’s extensive image archive – each “framed” by an image of

Concurrent with the exhibition Yuki Okumura, a publication features a conversation among the artist, Aaron Amar Bhamra, and Monika Georgieva, an essay by James Gatt, and numerous illustrations. On the cover, the Secession name is hand-painted by the artist through a stencil, with the special white paint that is used to cover the walls of the Secession, making each copy unique.
1/8

The conversations and interviews of Hans Ulrich Obrist encompass a broad practice that is dialogic in relation to both words and disciplines. In Ways of Curating (2014), Obrist observed that art should function as a lifelong conversation. His first book-based interview, with Walter Obholzer, was published in 1991, and has been followed by almost one thousand interviews with artists, scientists, and writers, in a global array of languages. The interview with painter Walter Obholzer, printed in the form of a comic book in English, German, and French.

Erwin Bohatsch's work is characterized by constant oscillation between representationalism and abstraction, between color and non-color, between line and surface. It revolves around the question of the topicality of painting, which is still controversial today. In his current works, he defines the pictorial field as a heterogeneous matrix on which sharply defined forms meet open painting fields with coarsely brushed brushstrokes.

Michel Butor’s Description of San Marco (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the iconic Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original,

Jérôme Chazeix's publication focuses on the participatory practice and the use of textile. Chazeix's work of the last years are contemporary syntheses of the arts («Gesamtkunstwerke») in the combination of different media and their cross-references. Sculptures, videos, music and costumes are preferred elements of his artistic work and its installations, environments and performances. The interplay and the fusion of these disciplines results in a complex scenario.

The goal of the IMAGINE HUMAN RIGHTS book project is to introduce the 30 Articles of the Universal Declaration of Human Rights to a broader audience and at the same time support humanitarian and educational projects related to human rights.

Neuware - A career-spanning, slipcased monograph in two volumes presenting the work of one of Asia's most thoughtful and innovative architects. With rising populations around the world and the pressures of looming climatic catastrophe, the work of Vo Trong Nghia is a call for architecture to transform itself from a source of pollution to a reason for hope. Nor is this idea anecdotal: the World Green Building Council estimates that 39% of energy-related carbon emissions can be attributed to buildings. An awareness of

An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family

The image of the Caribbean is as much a creation of the West as it is the result of its population's incredibly complex identity. A melting pot of races born of the 400-year slave trade--Africans, indigenous Americans and their

„Austrian-born photographer Leo Kandl worked for twelve years on this project. He began with a Nikon F camera and later switched to a Rolleiflex. He developed and printed all the images himself. After fruitlessly searching for a publisher for fifteen years, his work was introduced to swiss publisher Stemmle by author and curator Peter Weiermair. Stemmle published the book in 1999.“